Thursday, 9 March 2017

Dated 1841 Linen Shift

I have always been fascinated with antique underwear. Now I'm not entirely sure why, but I think examples like this early Victorian shift explain much. The minute stitches, the lightweight, handkerchief linen and the name and date of the wearer/maker... for a history lover, what's not to admire!?

Early 1840s Shift


The ‘plain sewing’ of this shift is awe inspiring. Tiny, tiny stitches, beautiful gathering/gauging of the fine fabric at the shoulders, the narrowest of seams. The shift is identical pattern wise, front and back. A drawstring casing runs right along the top of the horizontal neckline. Running through this is a very narrow linen tape. There are no side gores, but they are as you would expect, under arm gores. A narrow hem of 7/8″ or 2.1cm.

Details of 1841 Linen Chemise


There is a name and date to the front, ‘Maria E. Brewster’, and under that, ‘April 20 – 1841″.

Measurements – Length from Shoulder to Hem – 44″ or 111cm. Circumference at Hem – 69′ or 175cm.

Name/Date, Underarm Gores, Drawstring and Hem

I somehow managed to purchase my first item of 18th century lace this week, a wonderful 1745-60 lappet. I am so pleased with this twice over as I have been wanting to learn about lace, but oh my what a difficult subject. So to have pieces like that in my hands to study is a real bonus.

Naomi x


Wednesday, 22 February 2017

Antique Regency Tamboured Shawl for Sale

So before I take a look at the Carrickmacross collar, I thought that this item was just too special to wait to share it, but firstly, a brief aside:-

As I have mentioned before I have M.E. (or chronic fatigue syndrome). Mine is of a level where I can get along quite well some days, but other days are a real struggle, and I am still battling with many symptoms (and accepting that I have to live with them). Using the internet is a big no-no for me; I know this, but have to work. And because I do what I love, it can be soooo difficult for me to muster the self-control that is needed to help myself feel as well as I can (and get off the internet as soon as I have done was is absolutely necessary). And many, many times I fail to do so, and end up feeling quite unwell, both mentally and physically, as my poor addled brain just can't compute it all as quickly as it needs to, and the concentration it takes exhausts me.

I hope that this helps to explain why my posts on here aren't lengthy ones. I would love to search the net for other images of more unusual Regency shawls and write a piece about their place in Regency fashion etc, but sadly I can't afford to. As well as making me feel unwell, as my concentration is so poor at the moment, what is in my head rarely transports to the page in any intelligent way, and it can take me a day to write a longish post, with all the time it takes to re-read and amend the text.

So, onwards up upwards. Here is a wonderful black net Regency shawl with silk tamboured embroidery. Enjoy! :-

Late 1790s to 1810s Regency Shawl

This early nineteenth century shawl is a real beauty. It has a pretty scalloped edging and 7 motifs at each end (which can be seen in the bottom left photo above). Colours are mainly pinks and greens, although there is some blue in one of the flower groups at either end.





Measurements:- Width – 49 cms or 19″.
Length – 300 cms or 118″.

Detail and Areas of Damage

It is in quite incredible condition. The 2 areas of real damage can be seen in the 2 bottom photos above. Yes there are other small groups of holes, which can just be seen in the top right hand photo above, but that is no surprise in an item so old and so delicate.

This is for sale, and is £290. Please contact me for a postal price if you are interested. My postal rates are very reasonable, about £9 for Europe, and £12 for the US, for example (tracked all the way). Any questions at all, feel free to contact me (historikalmodiste@gmail.com).

Naomi x

Wednesday, 15 February 2017

Early Nineteenth Century Lace Collar/Fichu

I am fascinated by lace. And the more that I look into the subject, and try to learn which lace is called what, and the differences between handmade and machined lace, the more I feel I will never conquer the subject! But I am learning a little about it. I can recognise the basic styles of lace, i.e. Filet, Carrickmacross, Honiton, Maltese, etc, and I can recognise the early laces of the nineteenth century, which is very helpful with dating, but of course, you have to keep in mind that lace was an expensive and prized item, so often it was taken off one item of clothing, and used on another as the fashions changed.

I stumbled across a beautiful Regency early 1800s (1800-20s) lace net collar a few weeks ago:-





Regency Lace Collar


The first thing I tend to do when I try to date early collars is to pop it onto my mannequin, and see how it looks. Much of dating lace pieces such as this one is to look at the shape, and to place the shape with the fashions of the time, along with my knowledge I also have from handling so many antique clothing items over the years.


Early 1800s to early 1820s Mixed Lace Collar


Now while looking at the 2 top photos in this group above we can see what immediately jumped out at me; no matter how I tried to arrange the plain net section, it insisted on sitting very high up on the neck. It would not lay flat, and that was because it fitted in with the fashion for high necks of the 1800s to early 1820s period. That is not to say that there weren't low necklines in this period, of course there were, but go past the mid to late 1820s and this fashion for high necks was no longer in vogue. Now here it is worth a mention that of course I am generalising. There only ever can be generalisations in fashion history to a degree; real life means some women who preferred the old style of dress (whatever that may mean in a particular time in history) would continue to wear it; much older ladies who had not quite got used to the 'new fashions'.

So the next thing to do is to look at the lace used, and how it has been sewn together. This collar comprises of 3 separate pieces; the narrow lace frill, the net section in the middle, and the outer edge with very wide lace.



In these close ups above, we can see the two types of lace used. From what I can make out the narrow gathered lace frill is a Lille lace. The much wider piece is a Midlands (Bucks) lace. The Lille has small woven in squares, which are known as 'Point D'esprit'. Now these two types of lace (Bucks and Lille) are very similar in style and production, and even the experts often struggle, so if I don't have it quite right, please forgive me. But both are one or the other I am sure! I am wondering if the wide lace here is also a Lille lace.

I have a few items of mainly 1800-1830s accessories on my website here, and my next post I will be looking at an early (1820s) Carrcikmacross collar, with mock Dresden lace motifs, very interesting.

Naomi x

Wednesday, 8 February 2017

1830s Embroidered Kid Gloves with Tassels

Now this is a special pair gloves. In the 5 years or so that I have been trading in antique clothing and accessories, I have found only one other pair of pre-1840s gloves:-

Early 1800s Stamped and Embroidered Gloves

So when I saw these I grabbed them!:-

c.1830s Embroidered Gloves with Tassels

These rare gloves are so decorative. The embroidered motif in the middle of the glove is beautifully sewn; amazing work. But look at those tassels! Between them is a small strip of elastic. These strips are backed with the same leather as the gloves, so are original. Then we have beautiful red silk tassels, so pretty.  They are exquisitely hand stitched.


Embroidered Motif detail


Red Silk Tassels


I have been researching gloves, and looking high and low for a pair with tassels, to no end!


I have been very much enjoying 'Dress & Textiles' of the 'Discover Dorset' series, by Rachel Worth. She has a super section about glove making, with much about Yeovil's glove making trade, here in Somerset.:-

 "Employers were exacting and women worked very long hours. There were penalties for 'poor' or 'dirty' work. Before the advent of the sewing machine...most gloving cottages would have had a device known as the 'donkey frame', which had been patented by James Winter of Stoke-Sub-Hamdon (Somerset) in 1807. This was a small, vice like arrangement with fine teeth, mounted on a stand. The worker opened or closed the teeth by means of a treadle, fixing the glove so that the edges were held firmly together. She then passed her needle in and out of the teeth and a perfectly regular stitch resulted. The 'frame' or 'engine' as it was sometimes called enabled workers to produce work of a consistent standard. The number of stitches per inch was usually 18-20, although it could sometimes be as many as 32." 

So that is how they were so perfectly hand stitched!


Naomi x